STUDIO
On about 70 square meters, the artistic realm becomes a dialogue of making and reflecting — an echo of decay and renewal.
CONCEPT
Everywhere you look, you can trace the rhythm of my five stages of crafting: Inspiration, Concept, Foundation, Motif, Decay. Materials, tools, and fragments lie in dialogue with one another: trowels beside pigments, plaster samples beside found objects.
CONCEPT
On the shelves and floors you will find collectibles rescued from demolition sites and construction grounds. Old reed mats, torn wallpaper, discarded carpets — things once considered waste. I want to give them a second life within the walls I compose. Alongside them lie photographs of patinated facades, cracks, and weathered surfaces — reminders of the world that inspires me daily.
CONCEPT
My work here is a constant study. I test plaster on canvas, layer pigments into structures, press fabrics into wet surfaces, and let time itself leave its mark. Some results are subtle, smooth, and pale; others are rough, porous, and boldly colored. Each experiment teaches me how to refine my craft. A balance of precision and rawness, discipline and chance.
This studio is where walls begin to remember. Where decay is not an end, but the beginning of beauty.
COMPOSING THE RAW
"I am the anti-restorer"
ALEXANDER QUEISSER
